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Review: ‘Your Name’ – Traditional Animation at its Finest.

First, I would like to apologize on behalf of We Bought a Blog Media INC. I have been infected with literally the plague the past week and a half so I haven’t had a chance to put into words all the thoughts that have been roaming around my head. With an almost clear sinus and a double dose of Dayquil, I’m going to dump as many words as I can and hope they make sense.  Here. We. Go.

A lot of times we go into a film with certain expectations. We get these expectations from friends, critics, trailers, awards, and maybe even blogs or podcasts. To say that my expectations for Your Name were high would be quite the understatement. The film won the LA Film Critics Best Animated award, it made literally all the moneyplus the trailer is amazing. Very few films this year have had the hype surrounding it that Your Name has had and even fewer have lived up to the hype. Even with all the hype surrounding it, 90% of people I interact with will have never heard of it and even worse will never see it. So here is my sell on why you should see Your Name.

Your Name is a traditionally animated, Japanese, yong adult, body-swap, fish-out-of-water, romantic comedy. Now that conglomerate may sound like a super niche genre only a select few might enjoy….but if you are willing to let go of your preconceived notions and go in with an open mind, you will undoubtedly lose yourself in its wonder and magic.

The body-swap trope a.k.a the “Freaky Friday” is a plot device as old as time. The most prominent use of the body-swap is as an excuse that allows writers to give there characters empathy by literally allowing them to walk a mile in someone’s shoes. In Your Name the motives behind the body swapping aren’t initially clear but the writers use it for much more than just a simple lesson in empathy.  The first body swap happens in the film’s cold open where Taki (the male protagonist) finds himself in the body of Mitsuha (the female protagonist) and immediately hilarity ensues (as well as a bit of some body exploration). One of the more interesting aspects of the film is the catch to this version of body-swapping; you forget everything that happened after the swap. With this extra hurdle the characters resort on writing messages in journals, in text-messages, and on each other’s bodies to communicate, and as the film progresses to try and remember each other.

Some of the film’s more iconic images involve the sprawling notes left on each other’s bodies.

The film speeds along at a good pace, never lingering too long in any one body or storyline. To the film’s credit there’s not a lot of hand-holding for a rather intricate plot. The story is quickly set in motion and the film trusts its audience to be able to follow along with its brisk pace and lofty pursuits. This trust allows the film feels jam packed as there is little exposition slowing down the film.

At around the half way point the plot takes an unexpected turn which sends this film into the stratosphere (heh). I cannot with good conscience talk about the second half of the film even though I reallllly want to talk about it. Here’s what I will say: There has never been anything like it. It is truly one of a kind.

Departing from the plot for a bit, let’s look at what will  draw most to see this film: the animation. Director Makoto Shinkai and his team bring both rural and urban Japan to life through stunning visuals and immense attention to detail.  Never before have we seen such sprawling landscapes, with such great care that evoke such a wide variety of emotion. Each frame a painting, that could be displayed amongst even the best in any art show.

This is literally the only picture I could find, wasn’t what I was looking for, and yet it is still incredible.

As you can see in the image above, another important aspect of the film’s beauty comes from a comet that appears many times throughout. Every scene with the comet is breathtaking, truly a work of art. It’s one of those things you really want to see on the big screen to truly appreciate. The film will certainly lose a bit of its luster on the small screen but not enough to detract from the incredible writing, plot, and characters.

All in all this is an incredible movie experience and a true masterpiece in every sense of the word. I can’t recommend this film enough to anyone willing to try out something different at the box office. Unfortunately this is a hard one to find. Me and my wife had to drive over an hour to find a theater. If you are fortunate to live in a city where there is a showing you absolutely should go see it. Worst case scenario; wait a few weeks for the DVD release and see what all the hub-bub was about.

Your Name – 10 out of 10.










Things I loved that happened after the comet:

When Taki looks over the townscape and sees the crater and has the realization that Mitsuha has been dead for years. Oh. My. God. The feels.

When he drinks her spit-fermented sake. Gross. Trying to explain to Mitsuha that he drank her spit-fermented sake. Hilarious.

When Taki transcends time and space and watches Mitsuha throughout her entire life including her conception and birth (with a surprisingly graphic umbilical cord cutting scene).

When they meet up in the twilight and they are writing their names on each others hands and when he goes to hand the pen to her and she disappears and the pen drops to the ground and then he slowly forgets her name. Heartbreaking.


When she tripped and fell as the comet was coming down and at the same time Taki looks out on the balcony and sees the comet separating with an expression of wonder and amazement while THE LOVE OF HIS LIFE IS UNKNOWINGLY IN PERIL.

The final shot of them on the stairs, with strings intertwining the whole city. Tears running down their faces. Asking each other “What’s your name?” Perfection.



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